TIME AND PLACE:
@ Lisson Gallery, 27 & 52 Bell Street, London NW1 5BU
Ryan Gander returns for a third time to Lisson Gallery with Fieldwork, an exhibition of interlinking new works by the artist, each offering a glimpse of the inspirations that feed his practice.
Encompassing everything including a kitchen sink, the exhibition presents an individuated encyclopaedia that includes a year’s worth of skies, the clothes of absentee statues, a tent, a helium balloon, the artist’s phone number and a pebble beach. As ever with Gander’s art, the forms convened in Fieldwork are elliptic and opaque, starting stories for the viewer to invent or complete.
Occupying the entire back gallery, the titular work Fieldwork 2015 opens a window onto the revolving touchstones of Gander’s art. Objects from the artist’s collection – each seemingly found but on closer inspection uniquely crafted (for instance, a National Trust sign protecting ‘Culturefield’, Gander’s imaginary artistic utopia) – rotate round the room on a vast, walled-off conveyer belt. Views of these items gliding past momentarily (a baseball bat covered in nails, a pair of dead pigeons, a chocolate bar swoosh…) are granted via an aperture in the gallery’s wall, creating a memory game of strange associations and a prism of connections (a chess set, a tortured teddy bear, a dead chick served on a plate with a napkin signed by Picasso…) through which to consider the rest of the exhibition.