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Pokémon GO: Lure Party @ Trafalgar Square / Saturday 23rd July 2016

TIME AND PLACE:

Doors: 2pm

@ Trafalgar Square, Westminster, London WC2N 5DN

Free, just turn up!

www.pokemon.com

Join thousands of fans and lure Pokémon.

Make sure your phone is fully charged and wear suncream!

Travel between the real world and the virtual world of Pokémon with Pokémon GO for iPhone and Android devices. With Pokémon GO, you’ll discover Pokémon in a whole new world—your own! Pokémon GO is built on Niantic’s Real World Gaming Platform and will use real locations to encourage players to search far and wide in the real world to discover Pokémon. Pokémon GO allows you to find and catch more than a hundred species of Pokémon as you explore your surroundings.

The Pokémon video game series has used real-world locations such as the Hokkaido and Kanto regions of Japan, New York, and Paris as inspiration for the fantasy settings in which its games take place. In Pokémon GO, the real world will be the setting!

Get on your feet and step outside to find and catch wild Pokémon. Explore cities and towns around where you live and even around the globe to capture as many Pokémon as you can. As you move around, your smartphone will vibrate to let you know you’re near a Pokémon. Once you’ve encountered a Pokémon, take aim on your smartphone’s touch screen and throw a Poké Ball to catch it. Be careful when you try to catch it, or it might run away! Also look for PokéStops located at interesting places, such as public art installations, historical markers, and monuments, where you can collect more Poké Balls and other items.

RSVP on Facebook.

Yuri Pattison @ Chisenhale Gallery / until 28th August 2016

TIME AND PLACE:

Doors:
Wednesday-Sunday 12–6pm
First Thursday of the month until 9pm

@ Chisenhale Gallery, 64 Chisenhale Road, London E3 5QZ

www.chisenhale.org.uk

New commission by London-based artist Yuri Pattison. The exhibition comprises an entirely new body of work, including digital and sculptural elements that Pattison has developed over the past 18 months as part of his Chisenhale Gallery Create Residency (2014 -16), which is produced in partnership with Create.

For his exhibition at Chisenhale Gallery, Pattison imagines a speculative live/work environment drawing influence from Modernist architecture and science fiction, both of which imagine the future as a utopian space of fantastic social and political potential. Pattison is interested in ideas of transparency – from the open communication of data, to the transparent architectures of new models for shared live/work space, symptomatic of the increasingly flexible and permeable boundaries between life and work. Pattison draws on histories of architectural design and exemplary live/work spaces to examine the origins of these contemporary models.

The exhibition comprises an immersive installation occupying the entire gallery. A wall of industrial racking, often used in large global distribution warehouses, acts as a support structure for the installation. The racking system houses a bank of networked computers that control LED and natural light to create an artificially accelerated loop of a standard working day. The computers also synchronise and control playback across multiple device-sized screens, which display a series of new video works in which Pattison contrasts abstracted views of contemporary workspaces, with the interiors of experimental living spaces.

Throughout his residency, Pattison has been working within the evolving ecology of East London’s Tech City; a technology cluster also referred to as Silicon Roundabout, where new initiatives have emerged as popular sites of shared workspace for growing tech and creative start-up companies. Pattison has also been working within London Hackspace – a community run space for skill sharing and workshops – as a means to explore the politics of shared workspace representative of wider global trends in alternative hackerspace communities, the ethos of which is echoed in contemporary start-up companies and increased mobile working.

A series of new sculptures, which Pattison has installed at sites across east London including, Second Home, a workhub for creative companies; Campus London, a Google space for London’s start-up community; and London Hackspace, are incorporated into the installation at Chisenhale. Each sculpture contains active elements, such as a bitcoin mining rig that monitors online transactions and accumulates small amounts of capital.

Through this major new body of work Pattison examines the pervasive nature of new technologies, which increasingly influence both how, and where, we live and work. Contemporary start-up companies, particularly in the tech industry, often draw on the aesthetics of historical speculative environments and the values of progress and transparency are employed for enhanced productivity. Pattison questions the impact of transparency and how the blurring of lines between leisure, work and domestic space shapes an increasingly abstracted sense of time. In this work Pattison considers the failed potential of science fiction, as a means to critique the present by speculating on a utopian future, while we live within the reality of a future we’ve imagined.

A fictional text by Nora N. Khan, Contributing Editor at Rhizome, has been commissioned in response to Pattison’s new work. Commons centers on a fictional co-working space and reflects a current economic moment, in which digital labour and cognitive work are potentially endless. The text is available here and in the exhibition handout.

Daydreaming with Stanley Kubrick @ Somerset House / until 24th August 2016

TIME AND PLACE:

Doors: 10am-6pm (last admission 5pm)

@ Somerset House, Strand, London WC2R 1LA

Tickets: £12.50 book online

www.somersethouse.org.uk/visual-arts/daydreaming-with-stanley-kubrick

A new exhibition, curated by Mo’Wax and UNKLE founder, artist and musician James Lavelle, featuring a host of contemporary artists, film makers and musicians showcasing works inspired by Stanley Kubrick.

Participating artists have been invited to respond to a film, scene, character or theme from the Kubrick archives, shining new perspectives onto the cinematic master’s lifework. James Lavelle is collaborating with contemporary musicians and composers to produce a soundtrack to some installations creating a multi-disciplinary experience for the visitor.

Pioneering conceptual artist Joseph Kosuth will create an installation of text from Kubrick’s films based on the language of Kubrick’s work, while Britain’s foremost political artist Peter Kennard will juxtapose images of characters set in the War Room of Dr Strangelove with present day leaders of nuclear states, in a statement about the renewal of Trident. Inspired by the Stargate sequence in 2001: A Space Odyssey, film maker Doug Foster will invite visitors to experience an endless, widescreen tunnel and referencing the same film, Mat Collishaw will make a spaceman’s helmet featuring otherworldly sights and sounds.

Doug Aitken will provide ‘Twilight’, a public pay phone bathed in a luminous glow, which will be reminiscent of the Dr Strangelove scene where Mandrake attempts to make a collect call to the President of the United States. Sarah Lucas will lend ‘Priapus’, a phallic sculpture suggestive of the iconic murder weapon in A Clockwork Orange.

The exhibition is supported by artist Christiane Kubrick, the director’s wife of 41 years, who will be exhibiting a painting and Jan Harlan, Kubrick’s Executive Producer for 28 years. It is additionally endorsed by Warner Bros. Pictures, who collaborated with Kubrick on all his films since 1971.

The exhibition is co-curated by James Putnam who was formerly founder curator of the British Museum’s Contemporary Arts and Cultures Programme and is currently Senior Research Fellow Exhibitions at University of the Arts, London (UAL) where the Stanley Kubrick archive is housed.

Keith Sonnier @ Whitechapel Gallery / until 11th September 2016

TIME AND PLACE:

Doors:
Monday closed
Tuesday 11am–6pm
Wednesday 11am–6pm
Thursday 11am–9pm
Fri, Sat, Sun 11am–6pm

@ Whitechapel Gallery, 77-82 Whitechapel High Street, London E1 7QX

Free entry

www.whitechapelgallery.org/exhibitions/keith-sonnier-light-works

Making three-dimensional drawings with neon, American artist Keith Sonnier (b.1941) bathes spaces and bodies in the radiance of coloured light. Coming of age with a group of artists that included Lynda Benglis, Mary Heilmann, Bruce Nauman and Richard Serra, he uses a post-minimalist language that is physically immediate yet associative.

Four major early works made between 1968 and 1970 transform the 19th-century architecture of the gallery, combining neon with other industrial materials like glass, foam rubber and wiring. Geometric form contrasts with dashes of colour and a luminous glow to suggest the syntax of poetry and a nod to Sonnier’s roots in the multi-lingual, Creole culture of Louisiana.

Serpentine Pavilion @ Serpentine Gallery / until 9th October 2016

TIME AND PLACE:

Doors: Tuesday – Sunday 10am – 6pm

@ Serpentine Gallery, Kensington Gardens, London W2 3XA

Free entry

www.serpentinegalleries.org/exhibitions-events/serpentine-pavilion-and-summer-houses-2016

Bjarke Ingels (born 1974) is a Danish architect. He heads the architectural practice Bjarke Ingels Group (BIG), which he founded in 2005 with offices in Copenhagen and New York. The New York office was established in 2010 after working on projects in North America since 2006.

BIG is led by Bjarke Ingels (Founding Partner) with 11 additional partners:. BIG currently employs around 300 architects, designers, builders and thinkers who come from over 25+ countries representing Scandinavia, North America, Latin America, the Far East and Continental Europe. Since 2009.

Blanc de Blanc @ The Hippodrome / until 28th August 2016

TIME AND PLACE:

Doors: 19:30, 23:00 and 14:00

@ The Hippodrome, Cranbourn Street, Leicester Square, WC2H 7JH London

Tickets: from £15 book online

www.hippodromecasino.com

Sizzling new circus show from the creative team behind worldwide smash hits LIMBO and Cantina and the masterminds behind Madonna’s Rebel Heart Tour.

Blanc de Blanc serves-up an intoxicating blend of vintage glamour, high-end spectacle and titillating acts to infatuate, illuminate and delight. Bringing together the finest cabaret and acrobatic talent from around the world, be prepared to enter a wild night of big moves, great tunes, huge amounts of skin, and more than a few surprises.

Following a triumphant run at Sydney Opera House, the show promises a thrillingly up-close and seductive evening in the intimacy of the iconic Hippodrome Theatre.

Blanc de Blanc offers heady top notes followed by rich textures, a smooth body and an utterly unexpected finish. For an evening of breathless abandon, you have found the right place!

Over 18s only.

Yayoi Kusama: All the Eternal Love I Have for the Pumpkins & Chandelier of Grief @ Victoria Miro Gallery / until 30th July 2016

TIME AND PLACE:

Doors: Tue-Sat 10am – 6pm (last entry 5.30pm)

@ Victoria Miro Gallery, 16 Wharf Road, London N1 7RW

Free entry

www.victoria-miro.co

New paintings, pumpkin sculptures and mirror rooms, all made especially for this exhibition. This is Yayoi Kusama’s most extensive exhibition at the gallery to date and it’s the first time mirror rooms have gone on view in London since Kusama’s major retrospective at Tate Modern in 2012.

Yayoi Kusama’s lifelong exploration of the self’s relationship to the infinite cosmos has given rise to a highly influential career in which she has continuously innovated and re-invented her style. For the exhibition at the Wharf Road galleries, she has created three mirror rooms: All the Eternal Love I Have for the Pumpkins, Chandelier of Grief and Where the Lights in My Heart Go, all of which place the viewer within a universe of varying proliferating reflections.
New paintings displayed alongside these immersive rooms continue an enduring preoccupation with multiplying polka dots and dense scalloped ‘infinity net’ patterns – Kusama’s obsessive repetition of these forms on canvas, which she has described as a form of active self-obliteration, responds to hallucinations first experienced in childhood. The pumpkin, another motif that she has returned to throughout her career, is also present in the form of new mirror polished sculptures.

Victoria Miro Mayfair will present new paintings from the important ongoing series My Eternal Soul, which Kusama first began in 2009. Each is a flatly painted monochrome field that abounds with imagery including eyes, faces in profile, and other more indeterminate forms, often in pulsating combinations of colour. Joyfully improvisatory, fluid and highly instinctual, they testify to the indefatigable, paradoxical drive to expression that has unified Kusama’s constantly evolving oeuvre over seven decades.

Yayoi Kusama has developed a practice which, though it shares affiliations with Surrealism, Minimalism, Pop art, the Zero and Nul movements, Eccentric Abstraction and Feminist art, resists any singular classification. Born in Matsumoto City, Japan in 1929, she studied painting in Kyoto before moving to New York in the late 1950s, and by the mid-1960s had become well known in the avant-garde world for her provocative happenings and exhibitions. Since this time, Kusama’s extraordinary artistic endeavours have spanned painting, drawing, collage, sculpture, performance, film, printmaking, installation, and environmental art as well as literature, fashion (most notably in her 2012 collaboration with Louis Vuitton), and product design.

Yayoi Kusama has just been selected as one of TIME Magazine’s World’s 100 Most Influential People. She was recently named the world’s most popular artist by various news outlets, based on figures reported by The Art Newspaper for global museum attendance. Her exhibitions were consistently the most visited worldwide last year, with three museum tours simultaneously traveling through Asia, Central and South America and Scandinavia all drawing record-breaking attendances.
Yayoi Kusama is currently the subject of a museum tour throughout Northern Europe, from Louisiana Museum of Modern Art, Humlebaek, (2015-2016) to Henie Onstad Kunstsenter, Oslo (2016); Moderna Museet, Stockholm (opening June 2016) and Helsinki Art Museum (2016-2017). In Infinity, is the first major retrospective to account for Kusama’s interest in fashion and design. It also includes several important early works that have never been exhibited before.

Made You Look: Dandyism and Black Masculinity @ The Photographers’ Gallery / until 25th September 2016

TIME AND PLACE:

Doors: 10am–6pm (Thu until 8pm, Sun from 11:30am)

@ The Photographers’ Gallery, 16-18 Ramillies Street, London W1F 7LW

Tickets: £3 free before 12pm

www.thephotographersgallery.org.uk

From studio portraiture to street photography, this exhibition brings together a group of geographically and historically diverse photographers whose imagery explores black masculinity as performance, as play, as invention – in particular through the adoption of a dandy-esque persona.

In the early 21st century, black men are among the most influential trendsetters in fashion, music and global style culture. Yet high visibility for black men is matched by high vulnerability – as illustrated by disproportionate rates of arrest and incarceration for black men in the UK and USA.

Made You Look explores dandyism as radical personal politics, a willed flamboyance that flies in the face of conventional constructions of the black masculine. It proposes that the black ‘dandy’, with his extravagant emphasis on dress foregrounds a hyper-visible identity which counters the heighted vulnerability, the result of a charged history of objectification. In the context of this exhibition, dandyism isn’t simply about sharp dressing but rather, consciously problematising ideas of male identity through dress or deportment that is arresting, provocative, louche, camp and gloriously assertive.

The exhibition is curated by Ekow Eshun and features works from the Larry Dunstan Archive, Liz Johnson Artur, Samuel Fosso, Hassan Hajjaj , Colin Jones, Isaac Julien, Kristin-Lee Moolman, Jeffrey Henson Scales and Malick Sidibé.

Georgia O’Keeffe @ Tate Modern / until 30th October 2016

TIME AND PLACE:

Doors:
Sunday to Thursday 10.00–18.00
Friday to Saturday 10.00–22.00

@ Tate Modern, Bankside, London SE1 9TG

Tickets: £19 book online

www.tate.org.uk/whats-on/tate-modern/exhibition/georgia-okeeffe

Making her debut a century ago, in 1916, O’Keeffe was immediately recognised as a trailblazing artist, while today her legacy as an American art icon and a pioneer of twentieth-century art is widely recognised.

With no works by O’Keeffe in UK public collections this exhibition is a rare chance to see the beauty and skill of her remarkable paintings outside the US.

New Scientist Live @ ExCeL London / 22nd-25th September 2016

TIME AND PLACE:

Doors: 10am-5pm

@ ExCeL London, Royal Victoria Dock, 1 Western Gateway, London E16 1XL

Tickets: £25 book online

www.newscientist.com

New Scientist Live is a festival of ideas and discovery, taking place at ExCeL London. Rooted in the biggest, best and most provocative science, New Scientist Live will touch on all areas of human life. The show will feature four immersive zones covering Brain & Body, Technology, Earth and Cosmos. For four days this September, New Scientist Live will be like no other place on earth.

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