Tag: going out in london (page 1 of 3)

Kitsuné Summer Day & Night Party @ The Brewhouse / Saturday 10th June 2017

TIME AND PLACE:

Doors: 14:00 – 02:00

@ The Brewhouse, 369 & 370 Helmsley Place, London E8 3SB

Tickets: from £16.30 book online

Join the sun soaked outdoor Courtyard and 2 indoor club rooms, a intimate hidden venue 5mins from London Fields Overground station.

Get a day ticket and enjoy an all day session of sunset sounds nu disco, house, good time party classics an all day BBQ, cool drinks and the sunset until 9:30pm.

For night ticket holders the party start’s at 10pm as they move into venue arch 1 for Just Kiddin and Salute till 2am.

Day & Night tickets holders have access to both parties last entry is 1130pm.

RSVP on Facebook.

Canopy Market @ King’s Cross / from Friday 26th – Sunday 28th May 2017

TIME AND PLACE:

Doors:
Fri 11.00-20.00
Sat, Sun 11.00-18.00

@ West Handyside Canopy, King’s Cross, London N1C 4BH (near Granary Square)

Free entry

www.kingscross.co.uk/canopy-market

Head to West Handyside Canopy on the last weekend of every month for some serious stall browsing.

On the last weekend of every month, shop one-off pieces from designers, stock up on fresh produce directly from traders, and sample the best food around – all to the tune of live DJs and performances.

Real Food Festivals bring some of the country’s top-quality artisan food producers and street food to Canopy Market. You’ll find artisan bread, craft beer, coffee, cured meats, farmhouse cheeses, handmade sweets and desserts, delicious hot food and much more.

StrEATlife @ Alexandra Palace / Saturday 27th and Sunday 28th May 2017

TIME AND PLACE:

Doors: Sat 12-10pm Sun 12-8pm

@ Alexandra Palace, London N22 7AY

Free entry

streatlife.alexandrapalace.com

STREATLIFE is the new name for Alexandra Palace’s legendary Street Food & Craft Beer festival. The festival takes place over four summer weekends. Featuring over 30 of London’s top street food vendors, craft beer bars, cocktails, Pimms and all sorts of tasty treats.

Saturdays feature eclectic bands and on Sundays the DJs take over. There’ll also be live street art and graffiti for you to sit back and watch.

RSVP on Facebook.

May: Saturday 27th and Sunday 28th
June: Saturday 17th and Sunday 18th (Saturday featuring Showhawk Duo)
July: Saturday 22nd and Sunday 23rd
August: Saturday 19th and Sunday 20th (Saturday featuring DJ Yoda)

Tunnel: The Archaeology of Crossrail @ Museum of London Docklands / until 3rd September 2017

TIME AND PLACE:

Doors: 10am – 6pm

@ Museum of London Docklands, No1 Warehouse, West India Quay, London E14 4AL

Free entry

www.museumoflondon.org.uk/museum-london-docklands/whats-on/exhibitions/tunnel-archaeology-crossrail

The most complete range of archaeological objects unearthed by Crossrail, Europe’s largest infrastructure project, is on display alongside the story of this great feat of engineering in a major exhibition.

The construction of London’s newest railway, which will be known as the Elizabeth line when services begin in 2018, has given archaeologists a unique chance to explore some of the city’s most historically important sites. Since work began in 2009, the project has undertaken one of the most extensive archaeological programmes ever in the UK, with over 10,000 artefacts shining a light on almost every important period of the Capital’s history. Read more about the archaeology behind the exhibition from the curator, Jackie Keily.

The wide variety of items on display explores 8,000 years of human history, revealing the stories of Londoners ranging from Mesolithic tool makers and inhabitants of Roman Londinium to those affected by the Great Plague of 1665.

These finds were discovered in locations as diverse as suburban Abbey Wood in the south east, through Canary Wharf, across to Liverpool Street, Tottenham Court Road and ending in Westbourne Park and Acton. The finds sit against a backdrop telling the engineering story of the largest infrastructure project currently underway in Europe, with key facts and figures presented throughout.

Ashley Bickerton: Ornamental Hysteria @ Newport Street Gallery / until 20th August 2017

TIME AND PLACE:

Doors:
Tuesday – Sunday 10am – 6pm
Closed on Mondays

@ Newport Street Gallery, Newport Street, London SE11 6AJ

Free entry

www.newportstreetgallery.com/exhibitions/ashley-bickerton

Spanning more than three decades of Bickerton’s career and features 51 works, including a significant display of new and previously unexhibited pieces. It is the artist’s first UK show since 2009 and runs throughout all six spaces at Newport Street Gallery.

Bickerton moved to New York in 1982 and after working as a painting assistant to Jack Goldstein, he emerged as a key figure on the newly exploding East Village art scene. Within the context of the culture of commodification sweeping America he rose to prominence as part of an amorphous movement that was branded ‘Neo-Geometric Conceptualism’. Alongside artists such as Haim Steinbach and Jeff Koons, Bickerton endeavoured to reframe the practice of art production in response to the new, seductive mechanisms of desire at work in society.

Bickerton abandoned New York in 1993, eventually settling in Bali, where he still lives and works. Whilst a number of his themes prevailed, the materiality of his work shifted dramatically after this self-imposed exile from the urban environment.

Both in materiality and content, Bickerton’s work resists categorisation. On the diversity of his mediums – photocollage, appropriated image, digital image, paint and sculpture – he states: “Painting is far too cartoony and lacks the backbone of factuality; photography is too clinical and incapable of loony launches into the ether; and sculpture can be just downright presumptuous. […] Only in their combination do I find comfort.”

Bickerton’s conceptual commitment to intersectionality extends to his subject matter; his audacious and technically complex assemblages are predicated on themes of opposition and duality, for example representation and reality, creativity and commodity, nature and artifice, idyll and apocalypse. This is evident in his earlier work on display in gallery 1, which offers a sardonic critique of contemporary consumer culture and the commodification of the ‘art object’ via steel and aluminium wall-mounted ‘Culturescapes’ from the ‘Logo’ and ‘Non-Word Word’ series. Galleries 3 and 4 are dominated by Bickerton’s ‘Sea’ and ‘Landscapes’ – overblown and incongruous, they contain ephemera from the anthroposphere in the simulated shells of transportation devices. In part, these “truly contemporary” landscapes might be read as a dystopian view of the devastating impact of man on the ecosphere.

Throughout his career, Bickerton has challenged the relevancy of traditional art-historical tropes. His ‘self-portraits’ similarly parody the mythological figure of ‘the artist’, who is represented in the guise of the brands he chooses to endorse in Tormented Self-Portrait: Susie at Arles (25 Years) (2014) and as a five-bodied, technicoloured serpent in the monumental 5 Snake Heads (2009), on display in Newport Street’s double-height gallery 2.

Bickerton’s practice evolved in the late 90s to incorporate digital image and photography. In portraits such as Smiling Woman (2009), models (often family members and friends) are heavily made-up and photographed, then distorted in Photoshop before the image is printed on canvas and re-painted. These paintings are amongst Bickerton’s most overtly satirical, presenting lurid, constructed visions of life on a generic Pacific / Caribbean island.

Clean Air Gallery @ Windrush Square / until Wednesday 29th March 2017

TIME AND PLACE:

From: 7am-8pm

@ Windrush Square, London, Brixton

www.air-ink.com
www.tigerbeer.com

Tiger Beer has launched the world’s first Clean Air Gallery in Brixton, featuring art made from air pollution. Each piece of art is made using Air-Ink, an innovative technology that turns air pollution into ink.

Tiger has been challenging convention since 1932 when they innovated and pioneered tropical lagering to create a refreshing and full-bodied brew to overcome the heat. Today, Tiger is supporting bold ideas and people who are bringing about change. As air pollution continues to plague cities globally, Tiger Beer is bringing artists from major cities around the UK and Anirudh Sharma together to produce purposeful creativity from the streets for the streets and to inspire everyone to uncage their inner tiger!

The gallery features art made from Air-Ink by artists from the top 5 polluted cities in the UK (London, Glasgow, Leeds, Southampton and Nottingham). Each artist has been presented with a blank canvas which will be used to represent something they find beautiful in their cities, created using Air-Ink. Artists who will be showing work at the gallery include Mr Doodle, Roderick Mills, Jonny Hannah, Josh Parkin and Goodwives and Warriors.

Next to The Clean Air Gallery there will be an area for passers-by to try out Air-Ink for themselves and add to a large piece of work started by Mr Doodle himself!

Flabbergast Theatre: Boris and Sergey’s Astonishing Freakatorium @ Wiltons Music Hall / 9th – 13th May 2017

TIME AND PLACE:

Doors:
9th – 10th 7:30pm
11th – 13th 9pm

@ Wilton’s Music Hall, Graces Alley, London E1 8JB

Tickets: from £10.50 book online (20% off when you book to see Tatterdemalion on the same night)

www.flabbergasttheatre.co.uk
www.wiltons.org.uk/whatson/298-boris-sergey-s-astonishing-freakatorium

Created by War Horse, Blind Summit and Handspring puppeteer, Henry Maynard and his highly skilled team of expert puppeteers who have been working together in sweaty and physically compromising conditions since 2010, Boris and Sergey’s Astonishing Freakatorium is an improvised crossover cabaret featuring tabletop puppetry and character comedy for discerningly twisted adult audiences!

Following sell out runs at the Edinburgh and Adelaide Fringes and gathering three awards, 10 five star reviews (and counting), puppetry’s Balkan bad boys Boris & Sergey; simply the greatest vaudevillian double act ever conceived for the small stage, are back in London with freak show cabaret like no other.

Starring a variety of puppet characters, Boris & Sergey follow the tragic story of Pierre le Petit Tête Gustav and his wildly deranged tap dancing companion Juan Tamino. Audiences must hold on to their hats as they delve into a titillation filled world of the macabre. Boris & Sergey recreate traditional scenes of geeking, feats of incredible fortitude, endeavours of unimaginable physical endurance with formidable artistry, all whilst beguiling with their roughish wit and erudite jocularity.

If you like this, check out Tatterdemailion.

Eduardo Paolozzi @ Whitechapel Gallery / until 14th May 2017

TIME AND PLACE:

Doors: Tue-Sun, 11am-6pm (Thu until 9pm)

@ Whitechapel Gallery, 77-82 Whitechapel High Street, London E1 7QX

Tickets: £11.95 book online

www.whitechapelgallery.org/exhibitions/eduardo-paolozzi

Exhibition about one of the most innovative and irreverent artists of the 20th century. Considered the ‘godfather of Pop Art’, his collages, sculptures and prints challenged artistic convention, from the 1950s through to the Swinging Sixties and advent of ‘Cool Britannia’ in the 1990s.

This major Eduardo Paolozzi retrospective spans five decades and features over 250 works; from the artist’s post-War bronzes, revolutionary screen-prints and collages, to his bold textiles and fashion designs.

Alongside Paolozzi’s early brutalist concrete sculptures, highlights include material from his groundbreaking performance lecture Bunk! (1952), his large-scale Whitworth Tapestry (1967) and the iconic sculpture Diana as an Engine (1963).

The Kiss @ Sadie Coles / until 11th March 2017 ?

TIME AND PLACE:

Doors: Tue-Sat 11am-6pm

@ Sadie Coles, 1 Davies Street, London W1K 3DB

Free entry

www.sadiecoles.com/artists/fischer#urs-fischer-exhibition-2017

A large-scale replica of Auguste Rodin’s The Kiss, cast in white Plasticine. The famous image of embracing lovers will morph and fragment over the course of the exhibition through the interventions of visitors, who will be free to remould the Plasticine at will.

The image of an entwined couple also appears in a group of four new paintings, in which the artist uses classic movie stills as stock visual formulae – found images to be disrupted and redeployed.

Over the space of a month, Fischer’s Plasticine sculpture of The Kiss will transform from a recognisable motif (fractionally larger than Rodin’s first marble version) into an open- ended site of collaboration. The icon of modern sculpture will become a volatile object – able to be inscribed, pulled apart and remodelled spontaneously. The kissing figures are raised on a Plasticine pedestal onto which visitors will be able to climb, so as to become part of the sculptural group – transposed into the work of art.

Fischer’s version of The Kiss centralises the idea that an existing image of beauty, an art- historical ‘given’, can be destabilised and reformed through the agency of individuals. Each act of intervention turns the original model into something new: by starting with a fixed image, Fischer draws attention to the contingent processes of distortion and adaptation. In contrast to his participatory clay works of the past five years, which gradually crumble, or the wax-candle sculptures which dissolve over the course of an exhibition, the Plasticine model of The Kiss can be continually reshaped. Each state is equal to the next: the sculpture passes through multiple phases without order or hierarchy.

Flew The Coop @ New Diorama Theatre / 14th February – 4th March 2017 ??

TIME AND PLACE:

Doors: 19:30

@ New Diorama Theatre, 15-16 Triton Street, Regent’s Place, London NW1 3BF

Tickets: £14.40 book online

www.newdiorama.com/whats-on/flew-the-coop

This is a true story. Events are told exactly as they happened, apart from the ones that are completely made up.

It’s 1943. Rosa Rauchbach and Horace Greasley are creating a little slice of history, and stealing a lot of chickens along the way.

The Rauchbach Greasley Association Society Club (RGASC, for short) will tell you all about it. They have a shared obsession with their two national heroes, a fierce pride in their country and only 5 members. Not that that’s going to stop them.

Multi award-winning Lost Watch present Flew the Coop, inspired by the true story of Silesian translator Rosa Rauchbach and Horace Greasley, the British prisoner of war who escaped over 200 times to see her.

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