Tag: going out (page 2 of 38)

Sonia Boyce: We move in her way @ ICA / until 16th Apr 2017 💁

TIME AND PLACE:

Doors: Tue-Sun 11am–11pm (Thu until 9pm)

@ Institute of Contemporary Arts (ICA), The Mall, London SW1Y 5AH

£1 day membership, find out more

www.ica.art/whats-on/sonia-boyce-we-move-her-way

A new body of work created especially for the ICA. Involving the exploratory vocal and movement performances of Elaine Mitchener, Barbara Gamper and her dancers Eve Stainton, Ria Uttridge and Be van Vark, with an invited audience.

A multi-media installation has been generated from the documentation of their open-ended live performance. The title of the work suggests two possible readings: that ‘she’ dictates our movements; or that we obstruct ‘hers’, with both interpretations suggesting power is at play.

Boyce has a participatory art practice where she invites others to engage performatively with improvisation. In this process, she encourages contributors to exercise their own responses to the situations she enables, where she steps back from any directorial position to observe the activities and dynamics of exchange as they unfold. Once the performance is played out and documented, Boyce reshapes the material generated, in what she calls “recouping the remains”, to create the artwork as a multi-media installation.

We move in her way was created in this way as a performative laboratory, in which the audience and performers negotiated the ICA Theatre space around sculptural objects and their own bodies. Play and playfulness unfolded during the open-ended live performance, sparking a breakdown of assumed order between performers and audience. The dynamics of power-play shifted between the masked audience, the performers and the sculptural objects created as a means to facilitate touch and being together, whilst remaining distinct.

The Great Escape Festival @ Brighton / 18th – 20th May 2017 🎶🔊

TIME AND PLACE:

Doors: various

@ Various venues in Brighton

Tickets: from £35 book online

www.greatescapefestival.com

Festival for new music, bigger and more diverse than ever in 2017.

Showcasing 450 emerging artists from all over the world in 30+ walkable venues across the city. It’s the first place to discover your new favourite artist and see them in an intimate setting before they go on to headline major festival stages.

TGE is also attended by the music industry who are on the hunt for the next big thing. We run a convention alongside the gigs featuring insightful panels, topical debates, keynote speeches and networking opportunities in abundance.

The Alternative Escape, the Spotlight Shows, secret gigs, club nights and spontaneous collaborations all add to the festivities and make the weekend in Brighton one not to miss!

Luxury Moyses Stevens Mother’s Day bouquet Masterclass @ St Pancras International / Wednesday 22nd March 2017 💐

TIME AND PLACE:

Doors: 6pm – 7.30pm

@ St Pancras International, The Grand Terrace (by the John Betjeman Statue), Euston Road, London N1C 4QP

Tickets: £35 per person (one-and-a-half-hour workshop) book online

www.stpancras.com

Royally appointed florist, Moyses Stevens announce an exclusive Mother’s Day bouquet masterclass in their new home of St Pancras International.

You will be guided through the workshop by trained florists and will complete the class with a stunning, hand tied bouquet in time for Mothering Sunday on 26th March.

As well as creating and taking home your hand tied bouquets you will learn the basics of floristry including how to match evergreen foliage and blooms to create beautiful bouquets all year round.

Guests are welcome to attend the class in groups to co-create a single bouquet, children are also welcome at the class.

Taking place in the stunning surrounds of St Pancras International’s Grand Terrace (by the statue of Sir John Betjeman), visitors can also pick up some other Mother’s Day treats from retailers in the selection including Jo Malone, Neal’s Yard, L’Occitane and LK Bennet.

Making Nature: How we see animals @ Wellcome Collection / until 21st May 2017 🐶🐱🐯🐵

TIME AND PLACE:

Doors: 10am-6pm, until 10pm on Thursdays and closed Mondays

@ Wellcome Collection, 183 Euston Road, London NW1 2BE

Free entry

www.wellcomecollection.org/MakingNature

No matter how you see nature now, you’ll never see it the same way again.

Kicking off a year-long exploration into our relationship with nature, this major exhibition examines what we think, feel and value about other species and the consequences this has for the world around us. It brings together over 100 fascinating objects from literature, film, taxidermy and photography to reveal the hierarchies in our view of the natural world and consider how these influence our actions, or inactions, towards the planet.

Organised around four themes – ‘Ordering’, ‘Displaying’, ‘Observing’ and ‘Making’ – this exhibition questions the approach of ‘learning through looking’, charts the changing fashions of museum displays alongside society’s changing attitudes to the world around us, examines the search for an authentic encounter with nature, and looks at how humans have intentionally altered other organisms.

Richard Wilson: Stealing Space @ Annely Juda Fine Art / 25th March 2017

TIME AND PLACE:

Doors:
Monday–Friday 10:00–18:00
Saturday 11:00–17:00

@ Annely Juda Fine Art, 4th Floor, 23 Dering Street, London W1S 1AW

Free entry

www.annelyjudafineart.co.uk

The artist’s first at the gallery and his first solo show in London since unveiling his major site-specific work, Slipstream, at Heathrow Airport’s Terminal 2. The exhibition features four new works, two of which are in direct response to the gallery’s internal and external architecture.

Works in this exhibition dominate the gallery’s space and stand, in places, above the height of the architectural beams. In the main room, Wilson has created a sculpture of a slice of the negative space or “space between” the hallway and staircase leading to the gallery’s main entrance. Partial details of a doorway, steps or a bannister in negative form are visible on the sculpture which sits straight on the ground at a tilted angle, offering a reassessment of the perhaps completely unnoticed yet familiar surroundings the viewer has just encountered. Block of Dering, meanwhile, takes the façade of the gallery building at 23 Dering Street and reconfigures it into a near-cube. Even the gallery’s signage can be made out in this sculpture which presents the local architecture in an entirely new way.

In the second room, a sculpture delineates the “space between” an area of Wilson’s home in South East London whilst Blocka Flats takes a piece of household furniture reconfigured into a form reminiscent of an urban landscape on a micro scale, the very same landscape which Wilson refers to in other works on a 1:1 scale. Two preparatory sketches for each work hang near their sculptural counterparts, whilst in the final room, Wilson shows maquettes of past works and those not yet realised.

Richard Wilson is a world-renowned British artist whose architectural interventions have won him acclaim throughout his career. Wilson rose to prominence in 1987 when his installation, 20:50 – consisting of a room filled to waist height with reflective sump oil – was shown at Matt’s Gallery in London and purchased by The Saatchi Gallery. Wilson has gone on to create a series of predominantly site-specific works, most recently Slipstream (2014), which stands at an impressive 78 meters at Heathrow Airport’s Terminal 2. Wilson was appointed visiting research professor at the University of East London in 2004, elected as a member of the Royal Academy in 2006 and in 2008 was awarded an honorary doctorate at the University of Middlesex. He has created permanent and temporary works at prominent locations worldwide and his works have been shown at institutions such as The Serpentine Gallery, London; Saatchi Gallery, London; The Museum of Contemporary Art, Los Angeles; National Gallery of Australia, Canberra and Museu d’Art Contemporani, Barcelona.

“I need that initial thing from the real world because I’ve always been concerned with the way you can alter someone’s perception, knock their view off kilter. And to do that I need to start with something we think we understand.”

Richard Mosse: Incoming @ Barbican – The Curve / until 23rd April 2017 📷

TIME AND PLACE:

Doors:
The Curve
Sat–Wed 11am–8pm
Thu–Fri 11am–9pm

@ Barbican Centre, Silk Street, London EC2Y 8DS

Free entry

www.barbican.org.uk

Barbican Art Gallery has invited conceptual documentary photographer and Deutsche Börse Photography Prize winner Richard Mosse to create an immersive multi-channel video installation in the Curve. In collaboration with composer Ben Frost and cinematographer Trevor Tweeten, Mosse has been working with an advanced new thermographic weapons and border imaging technology that can see beyond 30km, registering a heat signature of relative temperature difference. Classed as part of advanced weapons systems under International Traffic in Arms Regulations (ITAR), Mosse has been using this export controlled camera against its intended purpose, to create an artwork about the refugee crisis unfolding in the Aegean Sea, off the coast of Libya, in Syria, the Sahara, the Persian Gulf, and other locations.

Mosse is renowned for work that challenges documentary photography. In his recent work The Enclave (2013) – a six-channel installation commissioned by the Irish Pavilion for the 2013 Venice Biennale – Mosse employed a now discontinued 16mm colour infrared film called Kodak Aerochrome that transformed the green landscape of the eastern Democratic Republic of Congo into vivid hues of pink to create a surreal dreamscape. Questioning the ways in which war photography is constructed, Mosse’s representation of the ongoing armed conflict in eastern Congo advocates a new way of looking.

The Kiss @ Sadie Coles / until 11th March 2017 💋

TIME AND PLACE:

Doors: Tue-Sat 11am-6pm

@ Sadie Coles, 1 Davies Street, London W1K 3DB

Free entry

www.sadiecoles.com/artists/fischer#urs-fischer-exhibition-2017

A large-scale replica of Auguste Rodin’s The Kiss, cast in white Plasticine. The famous image of embracing lovers will morph and fragment over the course of the exhibition through the interventions of visitors, who will be free to remould the Plasticine at will.

The image of an entwined couple also appears in a group of four new paintings, in which the artist uses classic movie stills as stock visual formulae – found images to be disrupted and redeployed.

Over the space of a month, Fischer’s Plasticine sculpture of The Kiss will transform from a recognisable motif (fractionally larger than Rodin’s first marble version) into an open- ended site of collaboration. The icon of modern sculpture will become a volatile object – able to be inscribed, pulled apart and remodelled spontaneously. The kissing figures are raised on a Plasticine pedestal onto which visitors will be able to climb, so as to become part of the sculptural group – transposed into the work of art.

Fischer’s version of The Kiss centralises the idea that an existing image of beauty, an art- historical ‘given’, can be destabilised and reformed through the agency of individuals. Each act of intervention turns the original model into something new: by starting with a fixed image, Fischer draws attention to the contingent processes of distortion and adaptation. In contrast to his participatory clay works of the past five years, which gradually crumble, or the wax-candle sculptures which dissolve over the course of an exhibition, the Plasticine model of The Kiss can be continually reshaped. Each state is equal to the next: the sculpture passes through multiple phases without order or hierarchy.

One & Other @ Zabludowicz Collection / until 26th February 2017 😯

TIME AND PLACE:

Doors:
Thu-Sun 12–6pm

@ Zabludowicz Collection, 176 Prince of Wales Road, London NW5 3PT

Free entry

www.zabludowiczcollection.com/exhibitions/view/testing-ground

One & Other explores the duality that emerges from the daily performing of a persona other than ourselves. The show constitutes a spatial experiment in which the concept of the stage is used as a metaphor to investigate this duality. A parallel is drawn between the dynamic of an actor and their performed role onstage and our relationship to our projected personas on social media platforms. From this starting point the exhibition questions, through a range of contemporary artworks of different mediums, the permanence of our identity, what influences it, the multiple shapes it takes and our relationship towards the other self.

“Self-identity has been questioned and explored constantly throughout the history of culture; it has been a clear generative force for much of the creativity in the world. Self-portraiture used to be the way artists explored their own selves, but the world keeps changing. Technology evolves furiously, people’s desires transform constantly. In this context, our virtual presence in digital platforms forces our identity to divide itself into who we are in reality and who we perform to be.” – the curatorial team

Magic Lantern Festival @ Chiswick House Gardens / until 26th February 2017 🏮

TIME AND PLACE:

Doors:
Open every day during February school half term holidays 5pm to 10pm

@ Chiswick House Gardens, Dukes Avenue Entrance, London W4 2QN

Tickets: from £16.50 book online (discount code ‘final20’)

www.magicallantern.uk
www.chgt.org.uk

In 2017 the Magical Lantern returns to where it all began, with a celebration of lanterns and Chinese culture.

The Magical Lantern Festival London is back for a second year with all new, bigger, brighter and more spectacular lanterns! The Festival is a spectacular fusion of art, heritage and culture. Illuminating outdoor installations of beautifully sculpted lanterns taking various forms.

The festival celebrates Chinese New Year of the Rooster 2017 and the cultural significance surrounding this extraordinary event. The theme for this year’s festival is: ‘Explore The Silk Road’. Visitors will discover magnificent life-sized and oversized lantern scenes, which represent and highlight this significant route of trade and culture from Europe to Ancient China. The Silk Road Festival journey begins with a 15-metre wide lantern of London’s Houses of Parliament. Visitors continue their tour by exploring lanterns related to the Silk Road representing Europe, Central Asia, Arabia, Egypt, Persia, India and Ancient China.

The entertainment area adds another dimension to the experience with an international range of food and beverage vendors, festival merchandise, a 30-metre synthetic ice-rink, 3D lantern photo opportunities, virtual reality gaming experience, Chinese bamboo lantern riddles and a mini funfair and games.

ABC Photography @ V&A Museum of Childhood / until 4th June 2017 📸

TIME AND PLACE:

Doors: 10:00-17:45

@ V&A Museum of Childhood, Cambridge Heath Road, London E2 9PA

Free entry

www.vam.ac.uk/moc/exhibitions/abc-photography

The alphabet is reinvented in this display of critically acclaimed photographers exploring new notions of the age-old teaching tool for children – the alphabet book.

I is for… Imagine

N is for… Now

W is for… Who, What, Where, Why?

The display brings together a collection of international photography heroes and acclaimed photographers from various walks of life. Among the 26 artists are Martin Parr, Nan Goldin, Wolfgang Tillmans, Alec Soth, Peter Lindbergh and Sebastiao Salgado.

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