Game Plan: Board Games Rediscovered will celebrate the joy, excitement and occasional frustration of playing board games. This will exhibition include some of the most iconic, enthralling and visually striking games from the V&A’s outstanding national collection of board games.
Alongside current family favourites such as Cluedo and Trivial Pursuit, and traditional games like chess, the exhibition looks at historical board games including The Game of the Goose and other beautifully designed games from the 18th and 19th centuries.
Board games are played by everyone, young and old. They have a universal appeal that transcends cultural and language barriers. They can both teach and entertain us. The playing of board games is embedded into our culture, not just the games themselves but the act of playing, the interaction with family and friends, the lessons to be learned and the fun to be had.
The exhibition will include more than 100 objects, featuring games from around the world, and explores the important role of design. Throughout the exhibition, selected games of special interest are highlighted with more detailed information on their history and influence.
Hands-on interactives and the opportunity to become part of one big interactive game will direct visitors around the exhibition, and invite them to think about game playing experiences and what sort of player they are.
Work from the celebrated Cass East End Archive including images by Steven Berkoff and Don McCullin will feature in a new photographic exhibition focusing on the East End of notorious gangsters the Kray Twins.
Legend of the East End has been organised by Studiocanal to accompany and lead up to the launch of LEGEND a new film about the Krays directed by Brian Hegeland in which Tom Hardy plays both Ronnie and Reggie.
From Ancient Rome to recent political upheavals, Fighting History looks at how artists have transformed significant events into paintings and artworks that encourage us to reflect on our own place in history.
From the epic 18th century history paintings by John Singleton Copley and Benjamin West to 20th century and contemporary pieces by Richard Hamilton and Dexter Dalwood, the exhibition explores how artists have reacted to key historic events, and how they capture and interpret the past.
Often vast in scale, history paintings engage with important narratives from the past, from scripture and from current affairs. Some scenes protest against state oppression, while others move the viewer with heroic acts, tragic deaths and the plights of individuals swept up in events beyond their control. The Death of Amy Robsart by William Frederick Yeames, which has been newly conserved for this exhibition, casts a spotlight on a historical mystery while John Minton’s The Death of Nelson offers a tender perspective on the death of one of England’s greatest naval commanders.
The exhibition also shows how contemporary artists, such as Turner Prize winner Jeremy Deller, continue to engage with the traditions of history painting to confront modern-day tragedies and dilemmas.
This display reveals twenty years of radical and revolutionary designs for performance against the backdrop of the First World War and the Russian Revolutions.
Around 150 set and costume designs demonstrate the creative, experimental and visionary performance designs of celebrated artists including Kazimir Malevich, Alexander Rodchenko, Vladimir Tatlin, Alexandra Exter, El Lissitsky, Liubov Popova and Varvara Stepanova.
With a large number of works exhibited in the UK for the first time, the display explores the unprecedented boom in Russian theatre culture during the first decades of the 20th century and the development of the avant-garde movement.
Curated in collaboration with the A.A.Bakhrushin State Central Theatre Museum, Moscow and supported by the Russian Ministry of Culture.
For over forty years, following a career as an international model and actor, Rudi Patterson dedicated himself to painting. From the three successive council flats he lived in around Notting Hill he produced a vast body of work, exhibiting widely in London, the UK and internationally – from New York to Melbourne – throughout the 1970s, 80s and 90s.
Following his death last year, this exhibition explores a single theme; Rudi’s extraordinarily potent and vivid representations of his native Jamaica. Including many works never previously exhibited, these depictions of montane landscapes, plantation villages, luxuriant tropical vegetation, rivers and beaches conjure a compelling sense of place, intuitively made from the vantage point of a west London window.
Since its first graphic poster commission in 1908, London Underground has developed a worldwide reputation for commissioning outstanding poster designs, becoming a pioneering patron of poster art – a legacy that continues today.
The new blockbuster exhibition Poster Art 150 – London Underground’s Greatest Designs, will showcase 150 of the greatest Underground posters ever produced. The exhibition forms part of the 150th anniversary celebrations of the London Underground and features posters by many famous artists and designs from each decade over the last 100 years. The posters were selected from the Museum’s archive of over 3,300 Underground posters by a panel of experts; the 150 that will appear in the exhibition show the range and depth of the Museum’s collection.
Poster Art 150 is a fitting exhibition to commemorate the 150th anniversary of the world’s first underground railway, as the last major Underground poster retrospective was held in 1963 to celebrate the centenary of the Underground. Well-known posters, including the surrealist photographer Man Ray’s ‘Keeps London Going’ pair, will feature alongside lesser-known gems. The exhibition will also offer a rare opportunity to view letter-press posters from the late nineteenth century.
The BP Walk through British Art offers a circuit of Tate Britain’s unparalleled collection from its beginnings to its end. This ‘walk through time’ has been arranged to ensure that the collection’s full historical range, from 1545 to the present, is always on show. There are no designated themes or movements; instead, you can see a range of art made at any one moment in an open conversational manner.