A comprehensive exploration into 35 years of Hatoum’s work in Britain, from her early performance and video works to her sculpture and large-scale installation.
Mona Hatoum settled in England in 1975. Her work creates a challenging vision of our world, exposing its contradictions and complexities, often making the familiar uncanny. Through the juxtaposition of opposites such as beauty and horror, she engages us in conflicting emotions of desire and revulsion, fear and fascination.
Mona Hatoum creates a challenging vision of our world, exposing its contradictions and complexities. Hot Spot is a steel cage-like neon globe which buzzes with an intense, mesmerising yet seemingly dangerous energy. Elsewhere electricity crackles through household objects, making the familiar uncanny.
This is the first major survey of Hatoum’s work in the UK, covering 35 years from her early radical performances and video pieces, to sculptures and large-scale installations. Born in Beirut to a Palestinian family, she settled in England in 1975.
Through the juxtaposition of opposites such as beauty and horror, Hatoum engages us in conflicting emotions of desire and revulsion, fear and fascination.
Immerse yourself in the work of one of the most important artists working today.
One of the most important and powerful artists of her generation finally gets the big British show she deserves.
This Christmas give a loved one free unlimited exhibition entry to Tate and loads more.
The best present for museum, art and culture fans for year-round enjoyment.
With the membership entry to all exhibitions is included, so is exclusive access to the Members only rooms.
This year the package is provided in a collectable box designed by Martin Creed, Turner Prize winner! Inside the box there is the special membership card, Oyster card wallet, specially selected postcards and stickers, exclusive Members Handbook and an upcoming Exhibition Highlights Guide.
Whaaam! Pop! Kapow! This is pop art, but not as you know it.
Tate Modern is ready to tell a global story of pop art, breaking new ground along the way, and revealing a different side to the artistic and cultural phenomenon.
From Latin America to Asia, and from Europe to the Middle East, this explosive exhibition connects the dots between art produced around the world during the 1960s and 1970s, showing how different cultures and countries responded to the movement.
Politics, the body, domestic revolution, consumption, public protest, and folk – all will be explored and laid bare in eye-popping Technicolor and across many media, from canvas to car bonnets and pinball machines.
The exhibition will reveal how pop was never just a celebration of western consumer culture, but was often a subversive international language of protest – a language that is more relevant today than ever.
Agnes Martin is perhaps most recognised for her evocative paintings marked out in subtle pencil lines and pale colour washes. Although restrained, her style was underpinned by her deep conviction in the emotive and expressive power of art. Martin believed that spiritual inspiration and not intellect created great work. ‘Without awareness of beauty, innocence and happiness’ Martin wrote ‘one cannot make works of art’.
Sonia Delaunay (1885–1979) was a key figure in the Parisian avant-garde and became the European doyenne of abstract art.
Throughout the first half of the twentieth century, she celebrated the modern world of movement, technology and urban life, exploring new ideas about colour theory together with her husband Robert Delaunay.
This will be the first UK retrospective to assess the breadth of her vibrant artistic practice across a wide range of media. It will feature the groundbreaking paintings, textiles and clothes she made across a sixty-year career, as well as the results of her innovative collaborations with poets, choreographers and manufacturers, from Diaghilev to Liberty.
Marlene Dumas is one of the most prominent painters working today. Her intense, psychologically charged works explore themes of sexuality, love, death and shame, often referencing art history, popular culture and current affairs – themes you can explore through related events.
‘Secondhand images’, she has said, ‘can generate first-hand emotions.’ Dumas never paints directly from life, yet life in all its complexity is right there on the canvas.
Her subjects are drawn from both public and personal references and include her daughter and herself, as well as recognisable faces such as Amy Winehouse, Naomi Campbell, Princess Diana, even Osama bin Laden. The results are often intimate and at times controversial, where politics become erotic and portraits become political. She plays with the imagination of her viewers, their preconceptions and fears.
From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving exhibition focuses on the passing of time, tracing a diverse and poignant journey through over 150 years of conflict around the world, since the invention of photography.
In an innovative move, the works are ordered according to how long after the event they were created from moments, days and weeks to decades later. Photographs taken seven months after the fire bombing of Dresden are shown alongside those taken seven months after the end of the First Gulf War. Images made in Vietnam 25 years after the fall of Saigon are shown alongside those made in Nakasaki 25 years after the atomic bomb. The result is the chance to make never-before-made connections while viewing the legacy of war as artists and photographers have captured it in retrospect.
Mira Schendel was one of Latin America’s most important and prolific post-war artists. With her contemporaries Lygia Clark and Hélio Oiticica, Schendel reinvented the language of European Modernism in Brazil. Tate Modern is staging the first ever international full-scale survey of her work.
The exhibition reveals aspects of Schendel’s dialogues with a diverse range of philosophers and thinkers, as well as her engagement with universal ideas of faith, self-understanding and existence. It brings together over 250 paintings, drawings and sculptures from across her entire career, including works which have never been exhibited before.
Merge 2013 is the third annual arts, music and performance festival celebrating the contemporary culture and rich heritage of Bankside, London’s dynamic artistic and business district. For one month, the river walkway near Tate Modern, the Victorian Kirkaldy Testing Museum, disused and historic buildings and other Bankside open spaces and workplaces will come alive when major names from the UK and international art world stage installations and musical performances alongside emerging artistic talent.
– Flat Iron Square
– ’20 Blackfriars Road’
– Zenith House
– Kirkaldy Testing Museum
– Gold Caravan
– Southwark Playhouse
– Riverside Stage